THEATRE WORKSHOPS IN DITSI
From 20.07 till 5.05 2024 we held numerous workshops in village Ditsi on the Edge of the demarcation line. Young form the local school could participate in workshops led by […]
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From 20.07 till 5.05 2024 we held numerous workshops in village Ditsi on the Edge of the demarcation line. Young form the local school could participate in workshops led by […]
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From 16.07 till the 5.05 2024 we held numerous workshops in Gori. Most of participants of theatre workshops led by Niyaesh Nahavandy, Tymon Siejkowski supported by Zbigniew Olkiewicz, Natalia Tsymbal,
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Event management and its specifications in Georgia (Workshop of George Babalashvili for Georgian participants) 19.07.2025 George Babalashvili- Event manager and producer. co-founder of Movement Theatre, was managed theatre 2003-2017 to find
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“Theatrical diplomacy as a resource for metadiplomacy and peacemaking” meeting Alexander Rusetsky (online in Georgian ) held on 25.06.2024. Alexander Rusetsky is Doctor of Psychology, Doctor of Political Science, specialist in
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ART IS FOR EVERYONE! – Meeting with Agnieszka Bresler and Iwona Konecka, creators of the Kobietostan Collective 20.06.2024 DThe Association Kolektyw Kobietostan is a Wrocław-based equality organization with many years
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ART IS FOR EVERYONE! – Meeting with Justyna Sobczyk, co-founder of Teatr 21. 12.06.2024 5 p.m. (Georgia), 3 p.m. (Poland) Director, theatre pedagogue, founder of Warsaw’s Teatr 21, board member
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EXPANDING THE FIELD OF PARTICIPATION – a meeting around selected artivist actions I start recognizing places with a walk. I travel along roads. I create my own map, marking
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Art is boundless – an artistic presentation after the workshop “City as an inspiration” Art is boundless – this conclusion and message echoed from the artistic presentation in Gori,
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Young people from Gori in Georgia participated in a series of workshops of shadow theater techniques and their use in urban artistic activities. Barbara Prądzyńska with the support of Jarosław
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What is the phenomenon of street theater in Poland as art goes out to the audience? How did a street theaters became an expression of democratic and freedom changes in
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